The two pictured here are Madame Inez McCune Williamson and her daughter, Virginia Lee (LaVanna Lee) Williamson. Upon Madame's retirement from vocal instruction, they moved to 3658 Monroe St. in Riverside, where they resided for well over 20 years. Madame admits to purchasing the home at first glance -- the paperwork took about 30 minutes to complete!This photo (published in The Desert Sun of Palm Springs, California, on Friday, February 5, 1943) expresses the closeness of their relationship perfectly, I think. It has an endearing quality. From what I've gleaned from their scrapbooks and letters to one another, they were good friends.
Madame Inez McCune Williamson (born in Virginia around 1880) was an accomplished pianist at the age of 16, when it was discovered that she had a voice of "exceptional quality." In the June 1933 issue of Musical West, a journal edited by Frederick Shippman, Madame shares that upon discovering that she had a gifted voice, she began studying with prominent local voice teachers. She later studied with Francis Fisher Powers in New York, finally moving to Europe to study for three years with the great Mathilde Marchesi. She also assisted Marchesi in her studio.
Madame returned to the states and became a respected voice teacher. Indeed, two of her students were selected (from hundreds who auditioned) to sing before the Crown Prince and Princess of Sweden when they visited Utah in 1926. She is pictured here giving vocal instruction to a group of students -- perhaps in preparation for a recital. If you enlarge this image, you can easily identify the photo of Mathilde Marchesi on her piano.Perhaps the greatest endorsement of Madame's gift for building voices was her daughter, Virginia. Madame and her daughter were living in Salt Lake City when it was learned that the famous opera singer, Madame Galli-Curci, would appear on tour in Salt Lake City. It was widely understood that Madame Galli-Curci never granted auditions while she was on tour, but Utah Governor George H. Dern, who was a friend of Madame and Virginia, asked Madame Galli-Curci to grant Virginia an audition. (Governor Dern would later become Franklin D. Roosevelt's War Secretary.)
Galli-Curci was clearly impressed with Virginia. Shortly after the audition, she wrote a letter to her that reads in part, "With your many fine qualities your voice would fit perfectly into light opera and I wish you all kinds of luck in it." In another letter, Galli-Curci promised to "personally assist Virginia in New York."
Estelle Liebling, a noted New York vocal authority (later to become Beverly Sills' voice coach), wrote to Virginia Lee as well: "Since Mme. Galli-Curci was so enthusiastic about your voice, then your voice must be an excellent one, because she is always very sincere and very honest in her criticism and advice -- I shall do everything in my power to help you when you arrive here if you can manage to come."
Virginia chose not to go to New York after all -- partly because Hollywood made promises to her (promises they didn't keep).
My interest in the lives of these two beautiful and accomplished women has grown markedly. I plan to work on this collection every chance I get, and promise to share more in the near future.*
In closing, an essay by Madame Inez McCune Williamson which was published in The Salt Lake Tribune [no date]: "Voice Beautiful: A Few Don'ts for the Cultivation of Sweet Tone."
The voices of the American people, both speaking and singing, have been a standing joke among Europeans for years. The fact of the Yankee nasal twang was laid to the climate, our diet, and a score of other things.
Don't neglect the cultivation of the voice. The charm of a beautiful voice lingers in the mind forever. It stirs the heart; a beautiful face strikes only the eye.
Don't think it is a national inheritance -- this mixture of twang whine, affectation, and acridness -- that it is impossible to remedy this one defect of the American woman.
Don't lay the fault of dull habits of speech at the door of our language, nor charge it against our climate, that helpless scapegoat of countless iniquities. Harsh tones are mainly caused by defective methods of breathing.
Don't neglect daily breathing exercises. Only the woman who knows how to breathe properly is going to get the most out of her voice. Deep breathing clears the voice and gives it fullness and softness.
Don't breathe through the mouth, but through the nose; and inhale as deeply as possible.
Don't push the sound out with the throat. Enunciate clearly with the lips. Sustain tone with the diaphragm. The temper controls you so that you speak in a dull, thick tone at the back of the throat, which is most trying of all voices to understand.
Don't take life too seriously if you want a melodious voice. Relax the strained muscles of the face and neck and look and be happy and contented. Think of pleasant things.
Don't whine and don't become hypocritical, or you will probably have a harsh, rasping voice.
Don't tire the voice. If the throat is sore, keep the tongue. Common sense is as important a quality in training the voice as it is in everything else.
Don't have a company voice, to be put on with your best dresses. Treat your family to your best modulated tones.
Don't expect to have any status in the social world if you have an uncultured, indistinct utterance. A person is given her place by the manner of her speech.
Don't despair, even if your voice is rasping, drawling, hard, thin, nasal, with piercing head tones or loose and fluffy. With care, time, and patience it may become harmonious, crystalline, caressing, with a variety of inflection.
Don't think lemon juice a panacea for harshness of voice. While it affords temporary relief, the strong acid is extreme -- soothe the congestion that produces the hoarseness, nothing is better than the white of an egg whipped to a stiff froth.
Don't pin your faith on the saving virtues of strong black coffee. If you have to speak of sing for any length of time, a tablespoonful of glycerine in twice the quantity of brandy relieves the voice.
Don't fasten a bunch of flowers on your corsage if you are going to read or sing in public. Some flowers, violets particularly, have a curious effect on the voice, often causing hoarseness.
Don't imagine that beauty, dress, manner, vivacity, style or wit can compensate for a poor voice.
Cupid has not in all his quiver choice--
An arrow for the heart like a sweet voice.




